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I have a friend that works at the Met, and (with management's permission of course) was able to get me into the modern wing during a time it was being renovated.
For 3D artifacts, being able to orbit them in a viewer is another good thing that we'll probably see more of. Rothko is an interesting case for digital reproduction because his work is all about aura and atmosphere but, technically, his work is not exactly impossible to fake.
Is his work really spiritual or maybe a bit bogus, for that reason of being grandiose and imposing yet also "easy"?
The Pollocks were my favorite, but it's all incredible.
It definitely became my favorite type of visual art after that and I will always visit the Met and Mo Ma when in town.